IT’S CHRISTMAS NEXT WEEK. Seriously, when did that happen?
So WHAT THE HECK ARE YOU WAITING FOR?! FIRE IN THE BLOOD is out December 25th, and is on preorder special of 99c!
Preorder your little heart out!
(Also, help! The exclamation marks are taking over the post!!)
A princess in a dragon-guarded tower. The prince who is to rescue her. The prince’s ensorcelled dragon. And one enchanted keep that might just be enough to kill them all…
It’s widely known that Princess Kayami Koto is held captive in the Enchanted Keep by a dragon of great ferocity and skill. So when the bold, daring and crafty Prince Akish attempts to rescue her, it seems only sensible to bring his own dragon, Rafiq.
But the Keep’s dragon is only the first Circle in the Keep’s Seven Circles of Challenge, and both Rafiq and the prince will have to keep their wits about them if they’re to survive and rescue the princess.
There to help them is the princess’ serving maid, Kako. But why does Kako seem so familiar to Rafiq? Will she really help them, or does she have her own agenda? Rafiq isn’t sure, but he knows one thing: Kako may be the only person who can free him from his bondage to the prince, and that’s worth any amount of risk.
There’s a really horrible part of writing. It’s that part, about halfway through–or even 3/4 of the way through, or right at the end–when you’re convinced that everything you write is utter drivel and it feels like there’s no saving it. The plot is hopelessly holey, the dialogue is trite and stiff, and the surrounding prose is as uninspired at a piece of toast.
We all get it. Well. I get it, and I’d hate to think I’m alone in my funk, misery–as they say–loving company. For me, this time, it hit like a sledgehammer right at the end of FIRE IN THE BLOOD. I didn’t even want to edit it. TWELVE DAYS OF FAERY was so quick and easy to write, and it felt like FITB was one drag after another–problems with characters, problems with plot-holes, etc. Most of ’em I fixed as I went, but it left me feeling raw and uncertain about the whole novella. Especially since I preset a publication date on FITB before it was finished (December 25th, in case you’re wondering).
That was then.
This is me now:
What makes the difference, you ask?
Well, mostly I think it’s mental. As in, I’m mental, inclined to worry, and unnecessarily complicate things by obsessing over them. Also, a little while ago I finished first edits of FITB (with two quicker rounds to go). Not only did I fix the remaining, tiny (much tinier than I remembered) plot-holes, but I found that the whole thing was about twenty times better than I remembered it being. The dialogue was everything I wanted it to be, the story progressed so much more smoothly than I remembered, and it was all in all a much better novella than I thought it was. So I polished it some more and then went and watched The Marriage Of Figaro on Youtube.
All that wasted worry! I could have spent that on something else!
Hey guys 🙂 This is just a quick, mid-week note to let you all know that TWELVE DAYS OF FAERY is up for preorder on Amazon. So go preorder now!*
*Or don’t. I’m not the boss of you.
In Twelve Days Of Faery, King Markon of Montalier is at the end of his tether. His son, Prince Parrin, is afflicted with a rather nasty curse that slaughters, maims, or brutally attacks any woman with whom he so much as flirts. After the rumour that sweeps around the kingdom, promising that any woman breaking the ‘curse’ will be eligible to marry the prince, there is no shortage of willing volunteers. Unfortunately, there is also no shortage of bodies piling up.
Markon needs to do something, but what? Can a visiting enchantress from Avernse help, or is she simply another accident waiting to happen? And will Markon be able to give her up to his son if she does break the curse?